• I am interested in the limitless possibilities of abstraction and the ability of painterly gestures to convey or hold back emotional energy.  The grid is my point of entry into a painting, although its structure can dissipate or disappear over the course of the painting’s construction.  Horizontal veins on the wood panel, vertical drips of paint and horizontal and vertical lines formed by my brush provide a limitless platform to explore gesture and mark.  In my work, I draw from an array of established vocabularies of painting processes such as pours, stains and repetitive brushstrokes.  I consider each of these painterly elements as objects, the way a representational painter might use a lamp or a shadow or a figure in their work.  Viewing  each painterly gesture as an object helps me gain perspective on what I am after in a painting.  The types of gestures used are as diverse as the way they are created.  Drip shapes are formed slowly by dipping wire that is attached to the canvas into buckets of paint.  Splashes appear as a frenzied result of my spontaneous hand, as well as carefully calculated, meticulously painted shapes that I create.  The interiors of the drips are often repainted with bands of vibrant color or complex grids, further complicating their origins and recasting them into a different language.  I am interested in examining the motives embedded in slow gestures as well as examining how quick gestures can communicate a different set of expectations.


    Education
    2009 MFA, School of the Art Institute Chicago. Chicago, IL; Jaharis Scholarship 2008
    1994 BFA, Kent State University, Kent, OH; Deans List 1994, Kent-Blossom Art Scholarship 1993 & 1994

    Additional Coursework
    2014 Writing as Part of Your Practice, University of Chicago Graham School
    2015 Teaching as Part of Your Practice, University of Chicago Graham School
    2005 Drawing and Painting Critique, School of the Art Institute, Chicago, IL
    2004 Advanced Painting Course, School of the Art Institute, Chicago, IL

    Solo shows marked with an asterisk

    2016:
    Ohio University Art Gallery, Athens, Ohio. “Chicago Paints” Curated by John Sabraw

    2015:
    Riverside Arts Center, Riverside, IL. “ALL IN” Curated by Karen Azarnia

    2014:
    Comfort Station, Chicago, IL. “Graft” with Noelle Allen. Curated by MK Meador
    *Union League Club, Chicago, IL. “Methylchloroisothiazolinone”
    *Morton College, Cicero, IL. “Select Works 2009-2013”
    Chicago Art Department “Off-Center” Curated by Mike Nourse

    2013
    Chicago Loop Alliance - Frogman Gallery, Chicago, IL. “Lady Painters”
    South Logan Arts Coalition at the Milwaukee Ave. Arts Fair, Logan Square Chicago, IL.
    *Thomas Masters Gallery, Chicago, IL. “Drips+Grids”
    Thomas Masters Gallery, Chicago, IL. “25 Years: Thomas Masters Gallery"
    Noyes Cultural Center, Evanston, IL. “Taking Chances” Curated by Sarah Krepp.

    2012
    Hyde Park Art Center, Chicago, IL. “Front and Center”

    2011
    *Gallery 175, Chicago, IL. “Altered Alterations” Curated by Sarah Krepp.
    River View Lofts, Chicago IL. “Geometrically Speaking II” Curated by Angela Bryant.

    2010
    *Thomas Masters Gallery, Chicago, IL. “New Abstraction”
    Noyse Cultural Center, Evanston, IL. “New Noyse”

    2009
    School of the Art Institute, Chicago IL. “MFA Exhibition”

    2008
    Gallery X, School of the Art Institute, Chicago, IL. “A Hirsute Affair”
    *School of The Art Institute Chicago, Chicago, IL. Project for “The Wall”
    Thomas Masters Gallery, Chicago, IL. Group Exhibition “15 Years”
    *Thomas Moser Cabinetmakers, Featured Artist, Chicago, IL

    2007
    Montserrat Art Gallery, Watertown, MA. “Frame 301”

    2006
    *Thomas Masters Gallery, Chicago, IL. “Passage”
    Union St. Gallery, Chicago Hts, IL. National Juried Exhibition “Aha! Epiphanies & Breakthroughs”
    Art Chicago, Exposition of International Galleries; Thomas Masters Gallery.
    Rockaway Artist Alliance, Fort Tilden, N.Y. National Juried Exhibition “Paper Trail" Firehouse Plaza Art Gallery, Nassau, NJ. National Juried Exhibition “Making the Cut”

    2005
    Thomas Masters Gallery, Chicago, IL. Group Exhibition “Blue Period”

    2002
    Contemporary Art Workshop, Chicago, IL. “New Talent 2”

    2001
    ARC Gallery, Chicago, IL. National Juried Exhibition “National 1”

    2000
    ARC Gallery, Regional Juried Exhibition “Regional V11” Chicago, IL.
    Pilsen East Gallery. Chicago, IL. “Melody Saraniti and Valerie Hagarty”

    Awards and Honors
    2016 SIM Artist in Residence- Reykjavík, Iceland
    2015 Jentel Artist in Residence with stipend, Banner, WY
    2015 DCASE Professional Development Grant, City of Chicago
    2013 South Logan Arts Coalition Artist in Residence. Chicago, IL
    2013 DCASE Individual Artist Grant, City of Chicago
    2012 C.A.A.P. Professional Development Grant, City of Chicago
    2008 Jaharis Scholarship SAIC, Chicago
    2007 Vermont Studio Center Artist Residency- Johnston, VT
    2006 Juror’s award, Aha! Epiphanies & Breakthroughs, Union St. Gallery
    2006 C.A.A.P. Individual Artist Grant, City of Chicago Depart. of Cultural Affairs
    2001 C.A.A.P. Individual Artist Grant, City of Chicago Depart. of Cultural Affairs
    2000 C.A.A.P. Individual Artist Grant, City of Chicago Depart. of Cultural Affairs
    2000 Oxbow Artist in Residence- Saugatuck, MI

    Press and Video Features
    2016 Jennifer Hepp, "Evanston Art Center showcases work of local artist collective," The Daily Northwestern, April 7, 2016
    2015 Kevin Blake, “The Water’s Mirror of the Sky: “All In” at the Riverside Art Center”, Bad At Sports, Feb 4 2015
    2013 Sixty Inches From Center, Video of “Gravitational Pull” at Design Cloud
    2013 Art Ltd. Feb/March 2013 Issue. Review “Drips + Grids” by Robin Dluzen
    2011 Gozamos.com. Interview for “Altered Alterations” at Gallery 175 by Corey Nuffer